Parliament of World Religions NW

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Gratitude for all who purchased prints and cards of my sacred art.

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Inspiring presentation from keynote Dr. Larry Greenfield, Executive Director
of the Parliament of the World’s Religions

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Indigenous Wisdom panel. From left: Lewis Cardinal, Terry Cross,
Edith and Randy Woodley, and moderator Milt Markewitz

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Challenging Hate Speech and Violence panel. From left: Shariff Abdullah
(Commonway Institute), Sat Hanuman Singh Khalsa (Sikh), Harris Zafar (Muslim),
Joanie Levine (Compassionate Listening/NVC), and Rev. David Alexander
(New Thought Center for Spiritual Living).

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Aztec Dancers! So gorgeous…

An inspiring day on Sunday (re)connecting with people from all faith traditions and activists working for social and ecological justice. It was one year ago that many of us gathered in Salt Lake City for the Parliament of World Religions and am feeling re-energized from being present for this gathering. Also honored to have my painting “All Nations Tree of Life” grace the cover of the program and share my work with this community. The three panel discussions were around Climate Change (forgot to take a photo!), Indigenous Wisdom, and Challenging Hate Speech and Violence–all interrelated with the urgent call to shift collective consciousness from separation to unity/harmony. The day was closed with music and of course, dance. Bow of gratitude to all the presenters and organizers for this special event. For love of the earth and all beings.

Peace. Salam. Shalom.

{Unveiling} Sext: Prayer for the Desert


“Sext: Prayer for the Desert” ©Amy Livingstone

From my September newsletter:
“A weird, lovely, fantastic object out of nature like Delicate Arch has the curious ability to remind us-like rock and sunlight and wind and wilderness-that ‘out there’ is a different world, older and greater and deeper by far than ours, a world which surrounds and sustains the little world of [wo]men as sea and sky surround and sustain a ship. The shock of the real. For a little while we are again able to see, as the child sees, a world of marvels. For a few moments we discover that nothing can be taken for granted, for if this ring of stone is marvelous then all which shaped it is marvelous, and our journey here on earth, able to see and touch and hear in the midst of tangible and mysterious things-in-themselves, is the most strange and daring of all adventures.” -Edward Abbey, Desert Solitaire: A Season in the Wilderness

I love this from Ed Abbey and discovered it while reading his book over the summer during the final stages of “Sext: Prayer for the Desert” shown here.* Seems appropriate given the intention for this painting and the entire “Where We Stand is Holy” series. It has been quite a journey with this piece as I changed course a few times around what beings to include in the border. These texts by Meloy, Williams, and Abbey were inspirations for understanding the sensuousness of the desert landscape, not having spent much time there myself except Sedona briefly and New Mexico many years ago.
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I definitely felt the holiness of these landscapes in the American Southwest and there is a long history from all our spiritual traditions of those who have undertaken a pilgrimage to the desert to seek out God, the numinous, or something “wholly other” to quote German theologian Rudolf Otto. Consider Moses, Jesus, and Muhammad from the Abrahamic traditions. Exodus 3:5: Yahweh to Moses: “Take off your sandals, for the place where you are standing is holy ground.”

In this painting, sego lily and cherry (Utah state flower and fruit), globemallow, and phlox are woven throughout with the creatures: raven, black-chinned hummingbird, collared lizard, desert tortoise, sage-grouse, prairie dog, not to mention the scorpion, honey bees, praying mantis, butterflies, and ants. All this beauty is under siege by oil/gas corporations who want to exploit this sacred landscape. This painting is a prayer but also feels like an elegy to me for that which we are losing. To learn more, visit Southern Utah Wilderness Alliance.

I also believe in the words of author and activist Alice Walker that “Anything We Love Can Be Saved.” If you read this and follow my work, you are a lover of mother earth and together I believe our love (and actions) can heal our world.

After taking a sabbatical last month, I’m pleased to share that my neck issues seem to have improved with physical therapy, yoga, stretching, and chiropractic care. This time has given me a new awareness of how fragile the inner landscape of our beings truly are. Taking breaks often from the technology is essential to our wellness. So, let’s take a break and go for a walk now…

For love of the earth,
Amy

*Sext, or Sixth Hour, is a fixed time of prayer of the Divine Office of almost all the traditional Christian liturgies. It consists mainly of psalms and is said at noon. Its name comes from Latin and refers to the sixth hour of the day after dawn.

Art + Nature + Soul

Tahoma
Painting: Tahoma, ©Amy Livingstone, Sacred Art Studio

Grandmother

Tiny presence amidst the holy waters of Tahoma.
Nestled sweetly within the cool, clear rippling stream.
Silent sentinel to the raging waters nearby.
Moss-sweetened stone.
Light-sprinkled tendrils reach to the heavens.

Grandmother.
Bearing witness to shape-shifting White River.
Holding court among swaying algae in the shadow
of what remains of the Creator’s architectural beauty.

Stone people. Ancient ones.
Keepers of memories in a changing world and
holding a vision for what might be
as new life emerges
from the generous, heart-shaped valley of her coat.

Silent. Still presence in this cathedral
where earth, air, fire and water meet.

She offers a prayer that humanity
awaken from its slumber to this;
the revelatory miracle that is Creation.
Baptized by her waters. I offer love.
Together our souls are one.

-Amy Livingstone, July 28, 2014

Reflecting this week on my Animas Journey from 2 years ago. Worth sharing again, friends. Wild Blessings.
Tahoma is one of the indigenous names for Mt. Rainier. A powerful apus (Mt. Spirit from the Andean spiritual tradition), his presence was palpable during my recent trek into the Wilderness of Soul with Animas Institute. I felt a deep soul connection to the mountain, the stone people… my ancestors the “living stones,” and the holy waters of Tahoma and wanted to give expression to that through this painting on my return. And although most of you know me as a deep appreciator of poetry, I seldom write poetry. However, the joy of being in the presence of not only this sacred landscape but also being with men and women appreciating, reading, and writing poetry, I felt a sense of belonging with kindred souls that is often difficult to find in the wildly busy, technologically-driven world we live in. So, I was invited and inspired to write a few poems during my wanderings, and I share this one with you. The natural world is a ready muse anytime we take time to be slow and present to the more than human world at any given moment.

A note on soul as defined by Bill Plotkin, founder of Animas Institute, in Wild Mind: “The soul is a person’s unique purpose or identity, a mythopoetic identity, something much deeper than personality or social-vocational role, an identity revealed and expressed through symbol and metaphor, image and dream, archetype and myth. . . . Soul is the particular ecological niche, or place, a person was to born to occupy.”

I’ve been in a wandering mood since my return, enjoying long walks and a lovely hike into Dry Creek Falls the other day, so I will keep this brief but wanted to touch base before Autumn returns next month. My Animas journey was affirming of my own particular way of engaging the world and of the necessity for me to continue following my soul around art, spirituality, beauty and how these contribute to to the healing of the earth. To quote poet Mary Oliver, “My work is in loving the world.” What is your soul calling to you around your unique purpose at this time? Painters, poets, musicians, writers, filmmakers, dancers, singers, all the arts, play a necessary and important role in our world to sustain the soul of a people. We can have a world where technology, efficiency, consumerism and rationality rule, but it would be a soulless one.

“We don’t read and write poetry because it’s cute. We read and write poetry because we are members of the human race, and the human race is filled with passion. Medicine, law, business, engineering, these are noble pursuits and necessary to sustain life. But poetry, beauty, romance, love, these are what we stay alive for.” -from Dead Poet’s Society. In memory of Robin Williams.

Wild blessings and love for the EARTH!

Sext: Prayer for the Desert

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Greetings
I haven’t disappeared my friends but after five months of events, I am back in the studio working. This summer, my intention is to get as far as I can on completing the “Where We Stand is Holy” series that began with “Lauds: Prayer for the Birds.” Shown here are details from “Sext: Prayer for the Desert.” Desert Tortoise, Sage Grouse, and Black-chinned Hummingbird. There are efforts to list the Sage Grouse as endangered species but much resistance from the oil/gas lobbyists as it would impact exploration and extraction in the SW.

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“Sext: Prayer for the Desert” is nearly complete. I am also in various stages with Vespers (water) and Compline (mammals). These paintings inspired by illuminated manuscripts shine a light on endangered species as well as the beauty of those wild places under siege by oil/gas extraction, plastics in the ocean, and climate change. I’m envisioning these panels to be part of larger installation and will share more as that develops. In the meantime, I am offering limited-edition art prints with a percentage of your purchase benefiting organizations working to protect our creatures and wild places. Shop here: http://sacredartstudio.net/product-category/prints/

Shown below is the first in the series: “Lauds: Prayer for the Birds.”
©LivingstonePrayer

Reflections on Momento Mori

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One of many inspiring conversations during the week.

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Dedicating the mandala.

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Sweeping the mandala.
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Our offering ready to be gifted to the sacred waters.

It was a very meaningful for me to be at Portland Community College during Earth Week where I brought my art installation “Momento Mori: Our Oceans in Crisis”. I had some powerful conversations with a diverse group of people from all over the world and dedicated our mandala to the people of Micronesia. One student, a kindhearted man from these small islands in the Western Pacific Ocean shared with me: “I am a climate refugee. My people are leaving their homeland to relocate to Australia and other countries due to rising sea levels and contaminated food sources from oil spills from tankers.” He was very grateful for my message as he feels that the world has not acknowledged them. He put a very real face to the climate crisis.

Many of the young students also gave me hope. After viewing my exhibit, a young woman shared with me that she felt sad. When I asked how she processes her sorrow around ecological issues, she said she goes to the beach and picks up other people’s garbage. Action is indeed the antidote to despair.

I put together a list of suggestions of what each of us can do on a daily basis to make a difference including self care and ways to get involved. You can view that here: What You Can Do Flyer

You can learn more about the nature mandala ceremony here.

For love of the EARTH!

Momento Mori Art Installation at PCC

Momento Mori PCC blog
“Momento Mori: Our Oceans in Crisis”.
Art Installation at Portland Community College, Sylvania
Earth Week: April 18-22, 2016

Memento Mori is the Medieval Latin theory and practice of reflection on mortality.

This installation creates space to make visible what is invisible. To question: What are we willing to “see” and acknowledge? Do we veil ourselves to mask feelings of despair around the truth of a changing world including climate change and species extinction? Do we have the courage to bear witness to the beauty of our world, to break open our hearts for what we are losing, and be inspired to take actions to protect life on earth?

Much of what is now threatened by the ecological crisis isn’t visible to the human eye such as plankton, microscopic organisms that float on the surface of our oceans. Plankton comes from the Greek planktos meaning wandering or drifting. The neon-colored phytoplankton are responsible for half of the carbon dioxide that is naturally removed from the atmosphere. As well as being vital to climate control, phytoplankton produces as much oxygen as all the forests and terrestrial plants combined. However, some scientists argue that we have lost 40% over the past 60 years. What now? New research also illustrates the staggering amount of plastic being ingested by zooplankton, the foundation of our marine food chain. On average, we are losing 200 species per day.

Our grief is born of love and by allowing ourselves to feel our despair, we also discover gratitude for the miracle of life. With this exhibit, we are able to “see” that our very existence is intricately linked to the health of plankton and our oceans, both of which are currently under stress from our current way of life. Seeing the fragile beauty of these organisms, we recognize our innate interconnectedness in the web of life and respond with actions to slow the damage.

There is hope. I believe we each have the power to make a difference in our day-to-day lives—economically, politically, and in our consumer choices. I also believe in the power of human creativity and that each one of us has a gift to offer our world in service to other beings and to the earth. I invite you to find that one thing that breaks open your heart and that inspires you to, in the word of Gandhi, “be the change that you wish to see in the world.”

Profound gratitude to Christian Sardet and The Macronauts, Plankton Chronicles project for permission to use their photography for this project. planktonchronicles.org

First Unitarian Art Show & Sale

Come say hello!
Wine reception with the artists on Friday night, 7-9pm.
Show continues through the weekend. Saturday, 10-6pm and Sunday, 10-2pm.
I will have several original paintings including “Munay Pachamama” shown here in the lower right hand corner of the promo flyer, new limited edition giclee (fine art) prints, devotional posters, and note cards for sale. I will also have a selection of items of the “Creation Illumination,” shown below, to help raise funds for organizations working to protect endangered species.

Hope to see some of you there!

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Climate Arts & Earth Care Summit

It was an inspiring weekend at the Climate Arts evening and Earth Care Summit as the Interfaith community gathered to celebrate the arts in breaking open our hearts to the beauty of our world and to honor Mother Earth last month. Poet Kim Stafford, son of the late Oregon poet William Stafford, shown below gave a very moving presentation that included stories of his life and his poetry.

We had a nice conversation during which I was able to share with him the painting, The Translator, inspired by one of his father’s poem Walking the Borders. He was very enthusiastic and supportive of my work and am touched by his generosity of spirit.

The amazing cellist, folksinger, and fellow artivist Anna Fritz also led us in songs that touched our hearts. Especially moving was her last song, Into the Fire, that tapped into our grief around the damage being perpetuated against the earth and the necessity to find joy where we can. You can listen and purchase music at her website.

Take this heaviness from my heart.
Throw it into the fire.
Let me learn to be joyful.
Lift my soul up higher.

Overall a beautiful evening and inspiring weekend that gave me hope. Dr. Randy Woodley, a Keetoowah Cherokee and professor at George Fox University, gave the keynote shown here about indigenous world view versus our Western, post-Englightenment orientation to the natural world. And after attending numerous City Council meetings over the past year or so, it was fun to meet Mayor Charlie Hales. Here, he is speaking with Muslim eco-activist Nana Firman. Attended her break-out session that was very informative, sharing passages from the holy Quran that address care for all creation.

Gratitude to Oregon Interfaith Power & Light and Ecumenical Ministries of Oregon for organizing this yearly event and University of Portland for hosting.

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All Nations Tree of Life

All Nations Tree of Life: 2015-2016, 24x12" Acrylic“All Nations Tree of Life” final along with several sketches in my book as I worked through this concept inspired by the wisdom of our indigenous brothers and sisters after attending a Lummi Nation ceremony (During UU Conference at Oregon Convention Center) and the indigenous plenary at the Parliament of the World’s Religions last year. Their message: red, yellow, black, or white–we are all one people (symbolized by the medicine wheel in the heart of the tree). “All Nations. All Faiths. One Prayer” to quote Chief Arvol Lookinghorse, the 19th Generation Keeper of the Sacred White Buffalo Calf Pipe. We are at a crossroads and must join together in order to heal Mother Earth and all her creatures, including we two-leggeds. DNA, or deoxyribonucleic acid, is the hereditary material in humans and almost all other organisms. Nearly every cell in a person’s body has the same DNA. Here, DNA weaves throughout the roots of this sacred tree, connecting us as a people even when we aren’t able to see this deeply innate interdependence in daily life.


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Creating Beauty in a Broken World

Resurrection: 2015, 20x24" Acrylic & Jewels
“Resurrection” ©Amy Livingstone, Sacred Art Studio

“Finding beauty in a broken world is creating beauty in the world we find.” -Terry Tempest Williams
From my January Newsletter:

This from Williams’ 2008 powerful and heart-opening book, Finding Beauty in a Broken World. She details her journey from Ravenna, Italy, to the American SW, and to Rwanda where she helps build a genocide memorial with the survivors of the war. She follows the thread of a calling to follow one wild word–mosaic. She writes: “Mosaic celebrates brokenness and the beauty of being brought together.”

I was reminded of her book again after finishing the painting shown here, “Resurrection.” Although most would associate the word or concept with the resurrection of Christ, I am using the word in context with the necessary and emerging return of the ancient paradigm associated with our indigenous ancestors and the Divine Feminine of the Goddess tradition, prior to the rise of patriarchy. Although I would also suggest that Christ is likewise an embodiment of the feminine with his original message of inclusivity and love for the neighbor and stranger.

Holy mother earth with the ‘seed of life’ nestled in the heart of  the web of life is cracking and we desperately need the return of the divine feminine even more so given the recent rhetoric coming forward during the GOP presidential campaign against women, people of color, those of the Islamic tradition, and the earth herself. Fear breeding more separation. And yet, I know also that there are so many of us, you and me, making a difference every day in our world through our creativity and in our communities. Shining your light bright as I wrote about in last month’s newsletter!

From Amazon: “In her compassionate meditation on how nature and humans both collide and connect, Williams affirms a reverence for all life, and constructs a narrative of hopeful acts, taking that which is broken and creating something whole.”

Butterflies = transformation. Life. Death. Beauty. Preciousness of life. Bowie. Rickman. Frey. Levine. Icons and teachers. So breathing into the complexities of life  and in my heart, and piecing together a mosaic of beauty in a broken world.

As always, I welcome your thoughts.

A blessed and wildly creative new year to you,

Amy