From my September newsletter:
“A weird, lovely, fantastic object out of nature like Delicate Arch has the curious ability to remind us-like rock and sunlight and wind and wilderness-that ‘out there’ is a different world, older and greater and deeper by far than ours, a world which surrounds and sustains the little world of [wo]men as sea and sky surround and sustain a ship. The shock of the real. For a little while we are again able to see, as the child sees, a world of marvels. For a few moments we discover that nothing can be taken for granted, for if this ring of stone is marvelous then all which shaped it is marvelous, and our journey here on earth, able to see and touch and hear in the midst of tangible and mysterious things-in-themselves, is the most strange and daring of all adventures.” -Edward Abbey, Desert Solitaire: A Season in the Wilderness
I love this from Ed Abbey and discovered it while reading his book over the summer during the final stages of “Sext: Prayer for the Desert” shown here.* Seems appropriate given the intention for this painting and the entire “Where We Stand is Holy” series. It has been quite a journey with this piece as I changed course a few times around what beings to include in the border. These texts by Meloy, Williams, and Abbey were inspirations for understanding the sensuousness of the desert landscape, not having spent much time there myself except Sedona briefly and New Mexico many years ago.
I definitely felt the holiness of these landscapes in the American Southwest and there is a long history from all our spiritual traditions of those who have undertaken a pilgrimage to the desert to seek out God, the numinous, or something “wholly other” to quote German theologian Rudolf Otto. Consider Moses, Jesus, and Muhammad from the Abrahamic traditions. Exodus 3:5: Yahweh to Moses: “Take off your sandals, for the place where you are standing is holy ground.”
In this painting, sego lily and cherry (Utah state flower and fruit), globemallow, and phlox are woven throughout with the creatures: raven, black-chinned hummingbird, collared lizard, desert tortoise, sage-grouse, prairie dog, not to mention the scorpion, honey bees, praying mantis, butterflies, and ants. All this beauty is under siege by oil/gas corporations who want to exploit this sacred landscape. This painting is a prayer but also feels like an elegy to me for that which we are losing. To learn more, visit Southern Utah Wilderness Alliance.
I also believe in the words of author and activist Alice Walker that “Anything We Love Can Be Saved.” If you read this and follow my work, you are a lover of mother earth and together I believe our love (and actions) can heal our world.
After taking a sabbatical last month, I’m pleased to share that my neck issues seem to have improved with physical therapy, yoga, stretching, and chiropractic care. This time has given me a new awareness of how fragile the inner landscape of our beings truly are. Taking breaks often from the technology is essential to our wellness. So, let’s take a break and go for a walk now…
For love of the earth,
*Sext, or Sixth Hour, is a fixed time of prayer of the Divine Office of almost all the traditional Christian liturgies. It consists mainly of psalms and is said at noon. Its name comes from Latin and refers to the sixth hour of the day after dawn.